Stories of women’s experience of the workhouse shape the solo performance of The House, devised and performed by Carran Waterfield, and created as part of Jenny Hughes’ AHRC-funded research project ‘Poor Theatres’ (http://blog.poortheatres.manchester.ac.uk/). The eighteenth-century Heron Corn Mill at Milnthorpe, Cumbria (http://www.heronmill.org/) provided an atmospheric setting for the piece as we sat listening to historical … Continue reading