This is actually another link to another site I’m afraid. Although written for new The Contemporary Theatre Review website, this is closer to a blog post than the Post-Post Feminism article for which I previously provided a link.
This short piece comments on the proliferation of on -line parodies of Thicke’s song and their impact, framing this discussion in relation to ‘the blogosphere’ as a stage for popular performance and feminist activism.
To read it click here
Gerry
Drama Queens Review 